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Review
Praise for TRAILBLAZER"An important document of the struggles (and triumphs) faced by African-American journalists from the 1960s until today."―Kirkus"Dorothy Gilliam is that most rare of revolutionaries, one who not only climbs the barricades, but lets down a ladder to help others up, too. In her more than six decades at the centers of journalism in New York and Washington, she has often been the first African American woman and the best of everything. Her memoir shows us that a few can be both, but no one should have to. We will have no democracy until each of us can be our unique individual selves." ―Gloria Steinem, feminist activist, writer, editor, lecturer who also helped create New York and Ms. Magazine"Dorothy Gilliam lived a fascinating life and shares it with you in Trailblazer. She started out afraid to tell her editors that D.C. cabs wouldn't stop for her-a problem for a reporter who needed to get to stories on time. She wound up a member of a group of minority columnists who regularly interviewed presidents."Her book is a tribute to her generous spirit. No one made greater efforts to share her success with others, to teach school-age journalists, to open the ranks of newspaper management to minorities."So many people in journalism are grateful that they met Dorothy. Here's your chance."―Don Graham, former publisher of The Washington Post"Dorothy Gilliam is a great reporter, a pioneer for all women in the news business, and African-American women particularly. Her story is about a time in American journalism where courage and brilliance were called for in the white-male bastions that were American newsrooms. It's a story that has been waiting a long time to be told." ―Carl Bernstein, Pulitzer prize-winning reporter of Watergate Fame"Dorothy Butler Gilliam's inspirational life story is the journey of a daughter of the South who became a pioneering black woman journalist, an influential voice in the pages of The Washington Post, a national leader of the movement to foster diversity in the news media, and a dedicated mentor of countless aspiring young journalists. It is also the story of her role in a remarkable era of growth and influence of a leading American newspaper now evolving in the digital age. And it is a welcome gift for colleagues and readers who have benefitted from her work and presence in our lives."―Leonard Downie Jr., former executive editor of The Washington Post, Weil Family Professor, Walter Cronkite School of Journalism and Mass Communications"Dorothy Gilliam has contributed a rare and important history of the journey of a Black reporter, who is also a woman, focusing on the Washington Post, but which has implications for the entire industry, writ large. Such a book would have always been a great contribution to the canon, but it is even more relevant today as the industry, as well as the society grapples with diversity and the way forward. Dorothy Gilliam provides answers that give us a road map to successfully navigate that way forward.―Charlayne Hunter-Gault, internationally-known journalist and former foreign correspondent for National Public Radio and the Public Broadcasting Service "Dorothy Gilliam is a national treasure. Her groundbreaking career in journalism is a monument to triumph, inspiration, grace. She is admired by journalists of color everywhere-not only because of her pioneering body of work, but because she cared about us so much."―Kevin Merida, editor in chief of ESPN's The Undefeated and former managing editor of The Washington Post "For those in the forefront, those "Firsts" of Black America, life was seldom a crystal stair to a glorious summit. Dorothy Butler Gilliam's memoir of her life and times chronicles such an ever- upward climb, step by step. Hers is the story of a woman ahead of her time, yet deeply involved in the critical issues of that time, and deeply concerned about younger ones in time yet to come. She succeeded at one of the premier American newspapers, charting a path of determination, commitment and inspiration for others to discover and appreciate, and to follow as well."―Milton Coleman, retired senior editor, The Washington Post"Powerful voice, inextinguishable brilliance, quiet strength, elegant beauty, visionary leader, honored journalist: Dorothy Gilliam. First African-American female journalist at the Washington Post, Dorothy Gilliam is a trailblazer who still is having an impact on journalists and journalism. It's my honor to know Dorothy, serve on the board of the Maynard Institute for Journalism Education and be one of her many fans who credit Dorothy with being an early career role model."―Paula Madison, first executive vice president of diversity at NBC Universal, author"Dorothy Gilliam didn't just shatter racial and gender barriers at The Washington Post, she shattered the journalistic view that white 'objectivity' was the only way of seeing the world. Gilliam pioneered a way of writing about African Americans that was accurate, balanced and compassionate-principles that had only applied to the coverage of whites before she arrived. The courage and intellectual rigor that it took for her to become the first African American woman journalist at the Post makes her a revered elder among black journalists today. Transforming the practice of journalism and paving the way for others makes her a legend for all time."―Courtland Milloy, fellow columnist at The Washington Post
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About the Author
DOROTHY BUTLER GILLIAM has been a journalist for more than six decades. In 1961, she became the first black woman reporter for the Washington Post. She would later become an editor and a columnist for the paper before retiring in 2003. Throughout her career, she has worked tirelessly to nurture other journalists of color and to diversify newsrooms across the United States. Her work as a civil rights journalist has been featured in three documentaries: "Freedom's Call," "Southern Journalists Who Covered the Civil Rights Movement," and "Hope & Fury: MLK, The Movement and The Media." During her career, Ms. Gilliam appeared regularly on television, including PBS, and hosted her own show on BET. She formerly served as president of the National Association of Black Journalists and of the Unity Journalists of Color.
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Product details
Hardcover: 368 pages
Publisher: Center Street (January 8, 2019)
Language: English
ISBN-10: 1546083448
ISBN-13: 978-1546083443
Product Dimensions:
6.6 x 1.2 x 9.3 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
16 customer reviews
Amazon Best Sellers Rank:
#32,926 in Books (See Top 100 in Books)
Ms. Gilliam shares her experience as the first African American woman in the newspaper business at the Washington Post. She accurately overlays the many changes in the American society for African Americans. Ms. Gilliam acknowledges the many people who supported her during her career and offers other supports in her life which brought her peace and joy.
I have been reading the autobiographies of women suffragists from the late 1800s and early 1900s, and this book by Dorothy Butler Gilliam reminded me of the writing of these women. It's earnest and detailed, and packed with great information. But it is also disorganized, rambling and lacking a narrative structure. Events are related with little judgment made as to their narrative value. I wish the author's editors had stepped in and shaped the story into a cohesive linear narrative. The book jumps around in time, and material is repeated. When I read, "As previously mentioned," it's a red flag to me of the need for stronger editing.As an example, the book begins with Gilliam arriving at The Washington Post in 1961, but within a few pages backtracks to the 1950s, Gilliam's graduation from college and an extended treatment of civil rights activity in the decades leading up to her time at the paper. It then returns to her graduate work at Columbia, and then backward into more civil rights battles of the previous decade. Next, she's back at the Post describing her editors, then she skips ahead and pastes in a brief story she wrote in 1962. Then we return to her earlier newspaper jobs, with extended character studies of her editors at previous newspapers. It ends with her marriage during her second year at the Post.Every chapter has this whipsawing timeline. It was hard to keep track of the narrative thread of the author's life. The reader doesn't get to her childhood and upbringing until almost 80 pages into the book, so you don't really get an idea of who this person is before being plunged into her adult life. I would have liked some grounding earlier on. A straightforward narrative would have served this author better. She had a front-row seat to many of the biggest civil rights stories of the day and this book details these events from her unique point of view. It gets across her growing interest in covering racial stories, a focus that she thought she wanted to avoid. At first, she didn't seem to relish the action of the civil rights movement. She relates how she went to Oxford, Mississippi, while the fight was on to deny James Meredith a place at Ole Miss in 1962. She says she didn't attempt to interview Meredith, and in fact, "felt a pang of relief as we left the campus." But from these early experiences, and from watching other African American reporters work, she gained confidence and fully committed herself to stories of racial discrimination and unrest.What interested me the most, and what I got the least of, was what it was like working in a white newsroom as the sole black female reporter. Perhaps her colleagues are still living, and she wanted to be discreet, but I would have liked to spend more time in the newsroom. In an early chapter, she talks about how difficult it was to simply file a story because she could not get a cab driver to stop for her so that she could get to and from the newsroom. In another section, she mentions briefly how she was "assigned" a female friend in the newsroom so that she would have someone to go to lunch with. These are the kind of telling anecdotes I would have liked more of. She does relate her difficulties reporting stories on assignment, particularly in the South, and it's shocking to read of how African Americans were treated, no matter how many times you encounter it.I have an early copy of the book, so I'm hoping more editing is in the works. In addition to the repetition, it seems like the book hasn't been checked for continuity. For example, in the first chapter, Gilliam mentions the Supreme Court decision that desegregated the nation's schools in 1954. She does not mention the case by name. Yet the term "post-Brown" appears later in the text without the Brown vs. Board of Education of Topeka case ever being named. And in the very last sentence of the book, the author says to white readers, "Don't be afraid of the African American voice, be an ally. Racial equality, diversity and inclusion benefit you." It's a great sentiment, but unexplored in the narrative. How does the African American voice benefit whites? Should whites want to hear African American voices because it benefits them? And why address just white readers? It's a vague, unsatisfying ending. A book by a pioneering journalist deserves closer attention so that her message comes through loud and clear.
Gilliam's new book about her life as the first black woman journalist at The Washington Post is compelling and eloquent while simultaneously being a superb history lesson. Yes, she tells of the civil rights movement and her experience of segregation, but she also manages to make her own story as riveting as the tumultuous time. She began working for the black press, then was hired by the Post in 1961 and went on to become an editor, a columnist and an organizer and nationally known leader for the next generation of minority reporters.She knew her own painful experience of being targeted because of her race and gender, and she became determined to change the world because the injustice was still prevalent. Her ability to tell a story is undeniable. The risks she took, the courage and grace she displayed, and how she solved the myriad challenges she faced make for an epic narrative. There's no boasting. There's just practical detail. In the 60s in DC, white cab drivers won't pick her up, so she uses her shorthand and fast typing skills to make up the time lost to get her stories in on deadline. She ignores the bigots or confronts them directly, as when a doorman coldly tells her to use the maid's entrance "In the back" when she goes to interview a white woman celebrating her 100th birthday. There are mentors and supporters in her journey, men and women, white and black, and she is generous in her descriptions of them. Noted is the fact that because of sit-ins, marches, Selma, integration of colleges and later, women's liberation, black reporters gain more ground throughout the 70s because newspapers and TV have to cover these stories.Not everything she writes about black culture is sunny. She asks important questions about the series, "Roots," on TV, and notes missteps by then-mayor Marion Barry. She is blunt in her assessment of Janet Cooke's fraudulent story about an 8-year-old heroin addict, rightfully concerned that it will cause the media to be even more reluctant to hire African Americans. For by this time she had become "a fanatic about improving diversity in media." Thus she was one of nine founders of the Institute for Journalism Education, which sought to increase the training and hiring of black journalists to counter the excuse: "We can't find anyone qualified." Local high schools became partners, as well as many colleges so that people of color could continue to choose media careers and not be faced with being the first or the only one. Gilliam was also an organizer and plunged even further into providing education and publishing opportunities for young black and Hispanic writers. She discovered local high schools hadn't published their own newspapers at in 1997 and partnered with the Post so that some local schools could start them anew. The goal (people of color represented in media in the same proportion of their percentage of the U.S. population) is not yet met, so she carries on.There's more, what it was like to be married to a successful visual artist, raise her much loved children while juggling job responsibilities and her devotion to African American culture and cultural contributions. She also reveals her struggle with food addiction and her relief at recovery; she tells of finding her way back to the AME church and the Gospel, that was so much a part of her childhood when she was "a preacher's kid."The end of the book indicates that she is still active, and involved in issues of justice, access and equality.This is a woman who can see people clearly and still loves to have conversations with people and discover what drives them. No doubt when she goes to heaven she will greet all the souls who got there before her and then go interview Jesus. After all, they both know what it means to want to be advocates for those oppressed.
The scope of this book is remarkable. Author Dorothy Butler Gillam began her reporting in the midst of the fight for African-American civil rights and served in journalism in various capacities until her retirement from the Washington Post in 2003. When she first began work at the Post in 1964 she was ignored by white colleagues on the street, has difficulty getting a taxi to pick her up and found it difficult to find a restaurant that would serve her.Gillam tells her story with a reporters detachment and covers the decades of her work, as well as her family and faith background. This is a five-star book because of its source and scope, but I do wish the author had taken off her reporter's hat more and let us see the world through her eyes with a little more passion. The story lags in spots because of this. In fact, I felt like putting it down in the first chapter. I would love it if she had started with her coverage of James Meredith's entry into the University of Mississippi and then backtracked into other less gripping events. As it is, even that chapter lags when she gets bogged down in events, details and the stories of other journalists.Though I am not a woman of color, I feel indebted to Dorothy Butler Gillam for the space she carved for women in journalism, as well as her considerable efforts to move America toward a more just society. May we all learn from her courage and perseverance.
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